This publication holds classical liberalism liable for an American inspiration of good looks that facilities upon girls, barren region, and machines. for every of the 3 good looks parts, a cultural entrepreneur supremely delicate to liberalism’s survival time table is brought. P.T. Barnum’s exhibition of Jenny Lind is a masterful blend of lady attractiveness and feminine efficiency within the subsistence realm. John Muir’s Yosemite Valley is unquestionably beautiful, yet in basic terms after a rigorous liberal schooling prepares for its adventure. And Harley Earl’s 1955 Chevrolet Bel Air is a dreamy expressionist sculpture, yet with a pragmatic 265 cubic inch V-8 beneath. Not that American good looks has been uniformly pragmatic. The Fifties are reconsidered for having briefly facilitated a rest of the liberal survival priorities, and the creations of painter Jackson Pollock and jazz virtuoso Ornette Coleman are evaluated for his or her resistance to the pressures of pragmatism. the writer concludes with a provocative hypothesis relating to a destiny liberal habitat the place Emerson’s admonition to connect stars to wagons is rescinded.
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